Raymond Pettibon. You don't need to be some goofy patron of the arts to appreciate that guy's work. You just need to be a normal, red-blooded Black Flag & SST Records fan. You know, the type of fellow who can recite all those radio commercials at the end of
Everything Went Black, appreciate all the sour notes in a Ginn solo, and who will argue 'til last call that
no, Rollins did not
ruin Flag and
yes, those later records
do kick ass. And like Ginn & a litigious trigger-finger, Flag & the art of Pettibon will always go hand in hand. The bars, the little puppet on
My War, the ill-fated cop in the
Police Story illustration: this is the stuff that decorates the lockers & living rooms of creeps who pace around at midnight & struggle to discover a third way to blast a concept.
But this blog entry is no history lesson. There's an exhibit titled
Raymond Pettibon: Early Drawings & it's hanging on three white walls at the College of New Jersey. It's got images of surfers, self-obsessed big-league hitters, locomotives, introspective tight-rope walkers, a few sexually-charged 60s teenagers, a drawing that can be a none other than little brother Greg (or the other sky-high guitarist, Dez), a
Vavoom or two & a film from 2004 titled
Repeater Pencil. Much of it looks brand-new to these eyes. Weirdos & misfits from up & down the East Coast are already clogging Route 31 and creepy-crawling the campus. As the saying goes, you guys would be fools to miss it.
Here are some photos, taken without the benefit of flash photography.
Promotional Image:
http://www.youtube.com/watch?v=9QmBjYdJILo
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